Regional galleries worth the drive
Why Australia's regional public galleries reward a road trip, seven well-established ones to plan around, and how to fit a gallery into a weekend away.
NOTES FROM THE WALL
Looking, gallery-going, first works, framing and care
The whole wall
Everything pinned up so far, newest first: how to look, where to go, what to ask before buying and how to keep a painting well once it is home.
Why Australia's regional public galleries reward a road trip, seven well-established ones to plan around, and how to fit a gallery into a weekend away.
Free collection websites, museum courses, structured reading and a weekly looking habit: a practical plan for teaching yourself art history online at home.
Light, humidity, dust, carrying, slack canvas and storage: the everyday care that keeps an oil or acrylic painting on canvas sound, and what to leave alone.
Survey histories, gallery catalogues and monographs on Australian painting: which books to start with, how to judge a catalogue, and where to find them cheaply.
Editions and sizes, silver gelatin, chromogenic and pigment prints, signatures and labels, light and framing: a plain guide to living with fine art photography.
Where the Archibald came from, what its rules ask of a portrait, how the Wynne, Sulman, Packing Room and People's Choice fit in, and how to look at the walls.
How high to hang a picture, how to space a group, picture rails versus hooks, fixings for plasterboard, brick and old plaster, and where art should never go.
What makes a print original, how etchings, lithographs and screenprints differ, what 12/30 and A/P mean, and what a certificate for a print should say.
How Australian painters have handled light, distance and the horizon, from Heidelberg plein air to the aerial view, and how to read the marks on a canvas.
Prints, drawings and watercolours need a different kind of frame from canvases. Mat board, hinges, glazing, spacers and backing, and what to ask your framer.
A calm, step-by-step guide to buying a first original work: setting a budget, where to look, what to ask, and the paperwork, payment and delivery that follow.
Commercial galleries are free, quiet and glad to see you. How price lists, red dots and stockrooms work, and how to walk in without feeling like an intruder.